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Local Sculpture







This sculpture is called the “Tuned Leaf-Tailed Rubicond” by artist Tiite Baquero. It was originally installed at Rubicond Park in 1981, which is also where the Cape Coral Art Center is located. This was the first public work of art in Cape Coral, but it was severely damaged by Hurricane Irma in 2017. The sculptor lives in Naples, and was able to coordinate repairs and restore it in 2019. The sculpture used to be pastel green, purple and yellow, but is now fiery red and orange. The sculpture stands on a bed of pale and rough rocks that contrast with the shiny and smooth texture of the metal sculpture. I was astonished at the height of the sculpture, as it stands at 26 feet tall. It is surrounded by towering green trees and is placed in front of the Art Center. It fits into its localization beautifully, as the Art Center is comprised of beautiful pieces of artwork inside and out. The sculpture is located towards the back of the Art Center, where the buildings are painted a light blue color. It is definitely something that captures your attention as you drive along Coronado Parkway, as it stands out from its surroundings.

The sculpture is reminiscent of a bird, and at first glance it looked like a flamingo to me. It has antennae on the top of its head, a long curvy neck followed by flappy wings and a tail that looks like leaves, all while standing on four legs. It is a linear structure, made up of thin pieces of steel that are welded together and powder coated. The sculpture clearly and unequivocally expresses the form of a bird. As you view the sculpture from different angles, it faintly looks as if it is flapping its wings when you walk around it. When looking at the sculpture “head on” it is perfectly symmetrical on each side. I believe the sculptor intentionally made the “Tuned Leaf-Tailed Rubicond” red because the word “Rubicund”, derived from “Ruddy”, means “having a healthy reddish color”. Birds are thought to symbolize elevation, enlightenment, hope and freedom. The way the bird is perched shows confidence, and somewhat even a desire to be looked at and admired. The extended wings, lifted tail, and forward stance make it seem as if it will begin to move immediately, much like Edgar Degas’s “The Little Fourteen-Year-Old Dancer" shown in the book “Humanities in the Arts” by F. David Martin.

As aforementioned, the sculpture was restored and there was a re-dedication ceremony held in 2019. Many members of the community came together to help get this landmark erected onto its new platform, replacing the old and damaged yet loved artwork that was there for 38 years. There were hundreds who attended the inauguration and that speaks volumes as to how unified we can be as a community who is proud of their town and its history. This took place before the pandemic, where large social gatherings were still being held. I think that the community values local artists and supports any improvements that can be made to enhance our city. This sculpture has added beauty and finesse to the area and is enjoyed by thousands of people who drive by it on their daily commute, wondering what the story is behind the sculpture.

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